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Purpose
Adam period watercolour pigmentation chart
Aspect
Adam period watercolour pigmentation chart: coloured wash pigments are described within this catalogue using consistent terminology appropriate to the Adam period e.g. pigments that were commercially available during the second half of the eighteenth century. This terminology has been carefully selected using R. Harley, Artists' pigments, c1600-1855 (1970), and in consultation with Dr Ian Bristow and Jill Lever. It has not been possible to undertake polarised light microscopy on the Adam drawings and therefore the specific chemical compositions of any given colour wash used by the Adam office is unknown. Colour attribution - within the range of the pigmentation terminology described - has been made by metameric colour matches.
Lemon yellow
Indian yellow
Naples yellow
Venetian red
Indian red
Red
Pink
Violet
Prussian blue
Cerulean blue
Verdigris
Olive green/drab
Sepia/chocolate
Payne's grey
Black
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).