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  • image SM 62/8/18

Reference number

SM 62/8/18

Purpose

[12] Design for lodges

Aspect

Plan and elevation for a larger Lodge for M.H.Beach Esqre and with the pediment drawn (pencil) steeper by Soane, (feint pencil) No2 ,(partly erased pencil, several indecipherable words and) The Village

Scale

bar scale of ¼ inch to 1 foot

Inscribed

as above, plan labelled: Fuel, Bedroom, Keeping Room with (pencil, Soane) Oven, Copper, door (pen) Wash House (cancelled by Soane and in pencil, Buttery), Buttery (cancelled by Soaneand in pencil) Shop

Medium and dimensions

Pen, sepia, naples yellow and pale blue washes with double-ruled border on laid paper (484 x 378)

Hand

Soane office, Soane amendments

Watermark

Curtis & Sons, crowned cartouche with fleur-de-lis and C & S below

Notes

This drawng is for perhaps a double lodge about 44 feet wide by 15 feet. 'Keeping room' is an unusual term (O.E.D. local and U.S. 1790) living room ... [or] parlour) while 'Buttery' (a store-room for provisions) and 'Shop' suggest an additional function perhaps related to 'The Village'.

An earlier drawing has a note '2 lodges one with flints' and both this drawng and SM 62/8/17 employ flints, though the smaller lodge has 'rough cast' for the porch and privy. Flint was locally available and perhaps Higgs Beach requested it. Both lodges have thatched roofs. The lodge designs differ from Soane's earliest executed example in a primitive, rustic style - the dairy at Hamels Park, 1783 (q.v.) - a Doric temple with tree-trunk columns. This drawing has a rusticated segmental 'pediment' over the door whose heavy lintel is repeated over the single-mullioned, lattice-windows on either side. The impression is grimly austere.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).