[1] Design for a chimneypiece for the drawing room, 1764, unexecuted

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Robert and James Adam office drawings
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  - Norbury Booths Hall (later Booths Hall), Knutsford, Cheshire: unexecuted design for a chimneypiece for Peter Legh, 1764 (1)
    - Design for a chimneypiece for the drawing room, 1764, unexecuted (1)

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Reference number

SM Adam volume 22/135

Purpose

[1] Design for a chimneypiece for the drawing room, 1764, unexecuted

Aspect

Part plan, elevation and profile of a chimneypiece, with pilaster stiles, with acanthus capitals, and ornamented with drops of anthemia, tubular flowers, figure-of-eight laurel leaves, calyx, and urns, with a lining ornamented with cable moulding, with a frieze ornamented with an urn, military trophies, and festoons, a mantel ornamented with laurel leaf tips, and with enclosed rosettes in the capitals

Scale

bar scale of 1 inch to 1 foot

Inscribed

Chimney piece for Mr Legh's Drawing room at Booths (in pen in the hand of William Adam) / Mr Leghs Drawing rooms at Booths (in pencil) and some dimensions given

Signed and dated

1764
1764

Medium and dimensions

Pen, pencil and wash on laid paper (406x292)

Hand

Adma office hand, possibly George Richardson, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 4
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).