[9] Design for a chimneypiece for the great drawing room, 1763, executed with alterations

Explore Collections

You are here: CollectionsOnline / [9] Design for a chimneypiece for the great drawing room, 1763, executed with alterations

Browse

Robert and James Adam office drawings
- Country houses
  - Audley End, Saffron Walden, Essex: designs for the house and park for Sir John Griffin Griffin Bt (later 4th Lord Howard de Walden), 1763-85 (18)
    - House: designs for the library, little drawing room, great parlour, great drawing room, and a dressing room
      - Designs for a chimneypiece for the great drawing room, 1763, 1765, Adam voluke 22/131 executed with alterations (2)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 22/131

Purpose

[9] Design for a chimneypiece for the great drawing room, 1763, executed with alterations

Aspect

Part plan, elevation and profile of a chimneypiece, with engaged Ionic column stiles, a lining ornamented with laurel leaf tips, with a frieze ornamented with rosettes, and fret, with a tablet containing a lyre enclosed by a wreath, and festoons, and with urns in the capitals

Scale

bar scale of 1 inch to 1 foot

Inscribed

A / Chimney Piece for the Great Drawing room at Audley End and some measurements given

Signed and dated

1763
1763

Medium and dimensions

Pen and wash on laid paper (281 x 291)

Hand

Adam office hand, possibly Agostino Scara or Benedetto Napoletano

Literature

Bolton, 1922, Volume II, Index p. 2
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).