[4] Design for a chimneypiece for the ante room, 1778

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Robert and James Adam office drawings
- Town houses
  - London
    - Saville Row, number 10, London: designs for interior decoration for Sir John Griffin Griffin Bt (later 4th Lord Howard de Walden), 1778 (9)
      - Design for a chimneypiece for the ante room, 1778 (1)

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Reference number

SM Adam volume 23/124

Purpose

[4] Design for a chimneypiece for the ante room, 1778

Aspect

Elevation of a chimneypiece, with stiles ornamented with drops of calyx hung from lion masks, with a frieze ornamented with rosettes, peltoid shields, beading, and anthemia, and with urns in the capitals

Scale

bar scale of 1 1/2 inch to 1 foot

Inscribed

Chimney Piece for the Anti room at Sir John Griffin Griffins / in Saville Row / (and in pencil) Chimney to be 3 ft Square Day[ _ _ ]gh[ _ ] / Plain freze / BC. P.P. / [ _ _ _ _ ]th [ _ _ _ _ _ ]sd / [ _ _ _ _ _ _ ] and some measurements given in pencil and an additional pencil inscription which is mostly cropped away

Signed and dated

1778
1778

Medium and dimensions

Pen, pencil and wash on laid paper (408 x 292)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 50
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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