[7] Design for a chimneypiece for the front room, 1765, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Laurence Pountney Lane, Number 4, London, unexecuted designs for ceilings and chimneypieces for Charles Rogers, 1765 (21)
      - Design for a chimneypiece for the front room, 1765, unexecuted (1)

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Reference number

SM Adam volume 22/84

Purpose

[7] Design for a chimneypiece for the front room, 1765, unexecuted

Aspect

Elevation of a chimneypiece with a lining ornamented with two bands of laurel leaves, and a frieze ornamented with anthemia, and calyx

Scale

bar scale of 1/8 inch to 1 foot

Inscribed

Chimney Piece for Charles Rogers Esqr (in the hand of William Adam) / Mr Rogers (in pencil) / Front Room [then feint illegible words] of Stairs (in pencil), and some dimensions given (in pencil)

Signed and dated

1765
1765

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (402 x 283)

Hand

Adam office hand, possibly Robert Nasmith and William Hamilton, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 41
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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