[129] Presentation drawing of variant design for a peachery, by John Haverfield, March 1795

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Tyringham House, Newport Pagnell, Buckinghamshire: entrance screen, bridge, house, offices, greenhouses and stables for William Mackworth Praed, 1792-1801, record drawings 1808 (169)
    - Presentation drawings and working copies of variant designs for a peachery, vinery and greenhouse, some by John Haverfield, March 1795 (5)

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Reference number

SM 8/3/15

Purpose

[129] Presentation drawing of variant design for a peachery, by John Haverfield, March 1795

Aspect

Plan of the peachery above the Ground level; part Plan of the End under the Ground level; Section of the End; Elevation of part of the Front

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

as above, Peach House W^mPraed Esq^r, plans and section lettered A (twice), B (seven times), C (twice), D (three times), E (twice), F (twice), G corresponding to key: A The Fire Place // B The Flues // C The Chimney // D The Treillage // E The Shed for Fewel & c // F Space between the Flue / and Wall // G Arches in the Founda / sions of Front Walls to / receive the Roots of Trees, dimensions given, (pencil) Copied

Signed and dated

1795
Jn Haverfield Kew / 1795

Medium and dimensions

Pencil, pen and pink, grey and Naples yellow washes, within single-ruled border on wove paper (452 x 345)

Hand

John Haverfield (c.1741 - 1820), draughtsman
John Haverfield (c.1741-1820)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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