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  • image SM 29/2/12

Reference number

SM 29/2/12

Purpose

[16] Presentation design, Ground Floor Plan Design No. 1, May 1791

Aspect

Ground floor plan of Design No I / Baronscourt / A Seat belonging to the Marqviss of Abercorn / with the proposed additions and alterations with flier and landscape sketches

Scale

bar scale of 1/9 inch to 1 foot

Inscribed

as above, rooms labelled: (house) The Hall, The Billiard Room,The Breakfast Room, (left-hand side, beneath the flier) The Marchioness Library / and Dressing Room, nd Staircase, (alternative design on the flier) The Marchioness Library / and Dressing Room, Lord Abercorn's / Dressing Room, Water / Closet,, The Great Gallery, The Anti Room, The Eating Room with Staircase, Water Closet, Hot Bath, Dressing Room, Cold Bath and Staircase and Lobby, (offices) Washouse and Landry (sic), Tenants Parlor, Stewards Room, Tenants Hall, Agents Office, Water Closet, Passage, Maids Room, Passage, Butlers Pantry, Housekeepers Room, Store Room, Servants Hall, Kitchen, Scullery, Bakehouse, (external) Portico, Colonnade (twice), Area (twice), Court (twice) and dimensions given

Signed and dated

  • May 1791
    Great Scotland Yard May 1791

Medium and dimensions

Pen, black, sepia and pale blue washes, flier with alternative design, pricked for transfer, with triple-ruled and black wash border on laid paper (525 x 730)

Hand

Thomas Chawner (1774 - 1851), draughtsman
Thomas Chawner (1774-1851, pupil 1788-1794)

Watermark

Portal & Bridges, fleur-de-lis within crowned cartouche and below, GR

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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