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Record drawing of an antique tripod base, possibly a candelabrum, each side of trapezium form, with a Bacchic relief; a faun at an altar (left), a seated figure and dog (centre), and figure holding a salver and urn. All with rams' heads at the top and sphinxes at the base. At one side is a detail of fruit dish.
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Reference number
Adam vol. 26/173
Purpose
Record drawing of an antique tripod base, possibly a candelabrum, each side of trapezium form, with a Bacchic relief; a faun at an altar (left), a seated figure and dog (centre), and figure holding a salver and urn. All with rams' heads at the top and sphinxes at the base. At one side is a detail of fruit dish.
Aspect
Elevations and detail
Signed and dated
- Undated
Medium and dimensions
Pencil, pen, grey wash382 x 550, two parallel vertical foldlines
Hand
Unidentified eighteenth-century artist
Watermark
Initials
Notes
The tripod candelabrum was probably derived from the set of ancient candelabra bearing the attributes of the Four Seasons that were in the Palazzo Farnesina, Rome in the mid-eighteenth century (see P. Bober & R. Rubenstein, Renaissance Artists and Antique Sculpture, Oxford, 2011, cat. 57, 89); the rams' heads and sphinxes are almost identical to those shown here. There is another less classical variation in Adam vol.26/65. There is also a pair of antique pedestals, but with different sculptural panels, in Adam's sculpture gallery at Newby Hall for which there are drawings in the Albani Collection at Windsor (see Carlos Picón, 'Two neo-Attic pedestals at Newby Hall', Burlington Magazine, no.991 vol.CXXVII, October 1985, pp.706-713). There was a similar tripod candelabrum in the Lyde Brown Collection, Wimbledon (see J. Ingamells, A Dictionary of British and Irish Travellers in Italy, 1701-1800, New Haven and London, 1997, pp.141-2).
Notes updated in 2023 thanks to assistance from Professor James Grantham Turner
Notes updated in 2023 thanks to assistance from Professor James Grantham Turner
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
If you have any further information about this object, please contact us: drawings@soane.org.uk