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  • image Image 1 for SM 6/1/2 recto and verso
  • image Image 2 for SM 6/1/2 recto and verso
  • image Image 1 for SM 6/1/2 recto and verso
  • image Image 2 for SM 6/1/2 recto and verso

Reference number

SM 6/1/2 recto and verso

Purpose

[2] Survey drawing of the north and south fronts, datable to June 1790

Aspect

Half-south elevation; (verso) north elevation

Scale

bar scale of 1/5 inch to 1 foot; (verso) bar scale of 1/8 inch to 1 foot

Inscribed

8: dito and 2½, Dito, 10 dito and 2½, 9 Dito & 2½, Dito (four times), dimensions given, (upper case) South Front; (verso) The Earl of Hardwicke, Wimpole / Elevation / by Guibert, (upper case) North front, (pencil) Eliz:

Signed and dated

  • June 1790
    datable to June 1790 (see Notes)

Medium and dimensions

Pen and pencil on laid paper with three fold marks and traces of red sealing wax (585 x 355)

Hand

Guibert, draughtsman
Guibert

Notes

Probably sent by post from Wimpole to Soane's office, having been made on site by the unidentified Guibert. Soane journeyed to Wimpole in June 1790 with Guibert to take surveys of the building. The drawings show the north and south elevations in both full and half elevation.

The façades are both symmetrical, however the gabled roof that covers the library wing is not balanced by the mirroring east laundry block (north front, drawing 2 verso).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).