[22] Unfinished preliminary design for a carpet for the drawing room, c1767-79, as executed

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Unfinished preliminary design for a carpet for the drawing room, c1767-79, as executed (1)

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Reference number

SM Adam volume 17/186

Purpose

[22] Unfinished preliminary design for a carpet for the drawing room, c1767-79, as executed

Aspect

Plan of a rectangular carpet with a central rectangular compartment containing arabesques, and a central patera encircled by a fan, and oval bands of beading, and anthemia and calyx, and with a ground of rosettes enclosed within figure-of-eight wreaths, and a border of beading, calyx, and rosettes enclosed within lozenges

Scale

to a scale

Inscribed

Carpet for the Drawing room at Osterly (in pen) / (and in pencil) Blue / Brown / Blue / Yellow / Blue Ground

Signed and dated

1767-1779
date range: 1767-79

Medium and dimensions

Pencil on laid paper (583 x 380)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 25
Harris, 1963, p. 51
Stillman, 1966, p. 72
Beard, 1978, p. 42
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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