[53] Finished drawing for a console table for the tapestry room, 1775, executed with minor alterations

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Robert and James Adam office drawings
- Country houses
  - Osterley Park, Hounslow, Greater London: designs for the house, interior and park for Francis Child and Robert Child, 1761-80 (126)
    - Interior decoration
      - Finished drawing for a console table for the tapestry room, 1775, executed with minor alterations (1)

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Reference number

SM Adam volume 17/8

Purpose

[53] Finished drawing for a console table for the tapestry room, 1775, executed with minor alterations

Aspect

Plan of a lunette-shaped table slab, ornamented with a central patera enclosed by a fan, and encircled by bows, festoons, winged sphinxes, enclosed rosettes, beading, and anthemia enclosed within scrolled hearts, and an elevation of the table frame, with four legs with ball feet, and ornamented with ox skulls, a stretcher ornamented with cable moulding, the table tail ornamented with enclosed rosettes, oval figurative medallions, and an apron of crockets in the form of anthemia, and with a rough pencil-drawn plan of the concave stretchers to the right-hand side of the title inscription

Scale

bar scale of 1 4/5 inches to 1 foot

Inscribed

Table frame and Slab for the Tapestry room at Osterly

Signed and dated

March 1775
Adelphi / 18t March 1775

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow and verdigris on laid paper (301 x 441)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 25
Harris, 1963, pp. 51 70-71
Tomlin, 1972, p. 56
Harris, 2001, p. 352
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).