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  • image Image 1 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 2 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 3 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 4 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 5 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 6 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
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  • image Image 8 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
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  • image Image 1 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 2 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 3 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 4 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 5 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 6 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 7 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11
  • image Image 8 for SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11

Reference number

SM (22) 2/6/16 (23) 2/6/22 (24) 2/6/17 (25) 2/6/18 (26) 2/6/21 (27) 2/6/20 (28) 2/6/9 (29) 2/6/12 (30) 2/6/10 (31) 2/6/11

Purpose

Working drawings for house and offices, March 1803 (10)

Aspect

22 Plan of the Basement with propos'd alterations
23 Plan of the Ground Floor with proposed alterations
24 Plan of the Chamber Floor with proposed alterations
25 Plan of the Attic floor with proposed Alterationa
26 Plan of Ground Floor of Offices
27 Plan of the Chamber Story of Office
28 Front Elevation of house with offices and part of brewery store
29 Back Elevation of house with offices
30 Section of the House and Offices / the height of the Storeys the same / as the part already built
31 Elevation and section of the End of House nest Offices and Elevation of the End of Offices

Scale

(22-27) bar scale of 1/3 inch to 1 foot (28-29) bar scale of ¼ inch to 1 foot (30-31) no bar scale, ¼ inch to 1 foot

Inscribed

22 as above, W.B.Simmonds Esqr, The Center and width of / this reces is given by / the one over the present Bow Window, leave a Doorway / which may be / bricked up in / the finishing, Centre of Chimy / in Eating Room and dimensions given
23 as above, W.B.Simmonds Esqr, The center of this Door is / the Center of the pasage in / the offices, Center of Windows, Strong Closet and dimensions given
24 as above, W.B.Simmonds Esqr, equal (twice), Centre of Window, Centre, Closet (twice) and dimensions given
25 as above, W.B.Simmonds Esqr and dimensions given
26 as above, W.B.Simmonds Esqr, Kitchen, The Floor / to be carried / over to X , the Wall, equal (twice) and dimensions given
27 as above, W.B.Simmond Esqr, Laundry, Servants Bed Room and dimensions given
28 as above, W.B.Simmonds Esqr, B, The Top of these window (sic) / cills to range with / the Top of the Molding B, The Eaves of this Roof range with the top of window cill and some dimensions given
29 as above, W.B.Simmonds Esqr, 1 Course Bick / Tile Head, To range / with spring / of arches, Floor of Offices, Floor and dimensions given
30 as above, W.B.Simmonds Esqr, in the inside / these windows ---- (illegible) up Square / to the Plate and some dimensions given
31 as above, W.B.Simmonds Esqr, Springg of this arch with Top of window Cill and some dimensions given



Signed and dated

  • (22) Copy / Lincolns Inn Fields / March 7th 1803 (23) (Copy) / Lincolns Inn Fields / March 7th 1803 (24) (Copy) / Lincolns Inn Fields / March 10th 1803 (25) Copy / Lincolns Inn Fields / March 10th 1803 (26) (Copy) / Lincolns Inn Fields / March 10th 1803 (27) (Copy) / Lincolns Inn Fields / March 1803 (28) Copy / Lincolns Inn Fields / March 7th 1803 (29) Copy / Lincolns Inn Fields / March 7th 1803 (30) not dated (31) Copy / Lincolns Inn Fields / March 10th / 1803

Medium and dimensions

(22) Pen, sepia and brown madder washes (23-4) pen, sepia, pink and yellow washes (25) pen, sepia, brown madder and yellow washes (26-27) pen, sepia, pink and yellow washes (28-29) pen and sepia washes, shaded (30-31) pen, sepia and brown madder washes - all pricked for transfer and on thin laid paper (555 x 675 average)

Hand

Soane office

Notes

Some minor changes from drawings 15-21 include the re-arrangement of the safe and closet behind the counting house and another change of mind about the size of the dressing room.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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