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  • image SM 33/1/31

Reference number

SM 33/1/31

Purpose

[18] Working drawing for the basement of the west building, one dated 12 April 1792

Aspect

Plan of the Basement Floor

Scale

bar scale of 2/7 inch to 1 foot

Inscribed

As above, The Marquis of Buckingham, NB This flue must be left standing / as it make[s] a pier to match / another at the corner A, A, plan labelled (pencil): Make these / windows / ---- --- / --- --- (illegible), leave an indent as ----, Situation of / this wall is / wrong, Situation of / this / wall is / wrong, Qy, Windows / straight or / place on / this story and dimensions given in pen and pencil; (verso) Marqs Buckingham / Pall Mall // Plan of Basement floor / Apl 19th 1792

Signed and dated

  • Copy April 12th 1792 and sent (as above) 19 April 1792

Medium and dimensions

Pen and pink and grey washes, pencil, on wove paper with four fold marks (534 x 678)

Hand

Frederick Meyer (1775-?, pupil April 1791-1796) and Soane

Notes

The west building was rebuilt, with a new basement, as can be seen in this drawing. The basement plans include those alterations made to drawing 14 (SM 33/1/29), with a segmental-plan alcove at the north end of the Servants' Hall and a timber partition towards the centre. Further alterations to the basement plan are suggested in pencil in this plan.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


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