Scale
(17-18) bar scale of 2/7 inch to 1 foot
Inscribed
17 as above, The Marquis of Buckingham, dimensions given, (pencil) This to be 36 feet; (verso) Marqs Buckingham / Pall Mall / Plan of Basement floor
18 as above, The Marquis of Buckingham, NB This flue must be left standing / as it make[s] a pier to match / another at the corner A, A, plan labelled (pencil): Make these / windows / ---- --- / --- --- (illegible), leave an indent as ----, Situation of / this wall is / wrong, Situation of / this / wall is / wrong, Qy, Windows / straight or / place on / this story and dimensions given in pen and pencil; (verso) Marqs Buckingham / Pall Mall // Plan of Basement floor / Apl 19th 1792
Signed and dated
- (17) 1792 (18) Copy April 12th 1792 and sent (as above) 19 April 1792
Medium and dimensions
(17) Pen and pencil on wove paper with four fold marks (535 x 636) (18) pen and pink and grey washes, pencil, on wove paper with four fold marks (534 x 678)
Hand
(17-18) Frederick Meyer (1775-?, pupil April 1791-1796) and Soane
Notes
The west building was rebuilt, with a new basement as in drawings 17 and 18. The basement plans include those alterations made to drawing 14, with a segmental-plan alcove at the north end of the Servants' Hall and a timber partition towards the centre. Further alterations to the basement plan are suggested in pencil on drawing 18.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
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and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
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