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  • image SM Adam volume 15/92
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Reference number

SM Adam volume 15/92

Purpose

[64] Finished drawing for a ceiling, c1765-66, unexecuted

Aspect

(64) Lunette-shaped plan showing half of a circular ceiling with vesica-shaped figurative medallions alternating with military trophies, and a ground ornamented with a patera, drops of calyx, anthemia, arabesques, and festoons, and with a bordering band of enclosed patera, urns, winged putti, arabesques, acanthus leaves, calyx and rosettes

Scale

to a scale

Inscribed

By G. Manocchi (in pencil in the hand of Sir John Summerson) / Removed from Vol 14 in 1913. (in red pen in the hand of A.T. Bolton)

Signed and dated

  • date range: 1765-66

Medium and dimensions

Pen and coloured washes including yellow ochre, Indian red and cerulean blue within a single ruled border on laid paper (588 x 367)

Hand

Giuseppe Manocchi

Notes

This drawing, along with three others by Manocchi within the Adam drawings collection at Sir John Soane's Museum, has pin holes in the margins. Such holes are the result of the paper being pinned to a board during the drawing and washing process. This was common practice and it is likely that the other Manocchi drawings also had such pin holes until they were cropped away.

See scheme notes.

Literature

For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).