Scale
to a scale of 1/6 inch to 1 foot; (verso) full size
Inscribed
(Soane) as above, Richd Willis Esqr / Liverpool, The carpenter / must lay The / lintels over the / windows of the / hall & chamber story should be / laid so as to / admit one pane / of glass of each part to throw / up into the head / of each window, The red shows the ground when the / building is finished / As the steps will not be executed until / building is roofed in, it may perhaps / be thought more eligible to ---- / decrease the length of them, as shewn / on the left --- by the dotted lines A / A circular window might be insert / made in the tympanum of the / pediment to ventilate the roof / & preserve the timber, hall floor, dimensions given, (on flier) Shew two elevations
(verso, Soane) The same architrave round the window of the / chamber storey // B. The dotted lines shew the weathering to the cornice of / the windows & it is to be observed that / the inverted cavetto A is entirely omitted as / is shewn in the elevation // The mason is desired to be very careful in / preserving the profiles of the mouldings / according to the drawings, door: architrave 8"¼ / frieze 6¾ / cornice the same as windows / with the addition of the cimia / recta at top & blocking above / it; line of frieze, wall line, this molding / is added over / the door, B, wall line, wall line, A, depth of / dentil, (red pen) recessed 2½ / deep, Part of the architrave / shewing its situation on / the window stool, window stool
Signed and dated
Medium and dimensions
Pencil, pen and grey and pink washes on laid paper (515 x 644)
Hand
Soane office and Soane
SOANE, Sir John (1754--1837), architect
Soane office and Soane
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).
