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  • image Image 1 for SM 30/2/68
  • image Image 2 for SM 30/2/68
  • image Image 1 for SM 30/2/68
  • image Image 2 for SM 30/2/68

Reference number

SM 30/2/68

Purpose

[162] Working drawing for the exterior, 21 May 1798

Aspect

Half elevation of the new entrance at Bentley Priory; wall plan of the pilasters; (verso) detail of Cornice &c

Scale

bar scale of 4/9 inch to 1 foot (verso) ½ the full size

Inscribed

as above, The Marquiss of Abercorn, to correspond with the / segment arch at the / end of the hall, slates, stone, lead, (pencil) to be copied, a, b and dimensions given in pen and pencil; (verso) To Mr Pullinger, clerk of the works / at the Marquiss of Abercorn's / Bentley Priory / Stanmore / Middx, 6 inches (twice), stone and dimensions given

Signed and dated

  • 21 May 1798
    Lincolns Inn Fields May 21 1798 and alterations dated May 27 98

Medium and dimensions

Pencil, pen and grey and pink washes, on laid paper with four fold marks (455 x 364)

Hand

Attributed to Seward, Henry Hake (1778--1848), draughtsman
attributed to Henry Hake Seward (1778-1848, pupil and assistant 1794-1808)

Watermark

I Taylor and horn within crowned cartouch with GR below

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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