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  • image Image 1 for SM 30/2/61
  • image Image 2 for SM 30/2/61
  • image Image 1 for SM 30/2/61
  • image Image 2 for SM 30/2/61

Reference number

SM 30/2/61

Purpose

[139] Design for the entrance hall, longitudinal section, 26 April 1798

Aspect

Longitudinal section; wall plan of column at one corner; part-plan of the east wall; (verso) section of the basement vaults and basement floor plan

Scale

bar scale of 4/9 inch to 1 foot

Inscribed

(Soane) Plan / 2 sections, 1 light, One perspective view 1 light / or two if possible, keep these / Colms as wide / apart as possible, obs: 2 feet from old wall, manger / gutter, old wall, old and dimensions given, (Bailey) Sketch of a design for the New Entrance Hall at Bentley Priory, The Marquiss of Abercorn; (verso, Soane) suppose old wall A to be ½ brick / thicker in this story than it is above & / set off equally on each side / this arch would then be / 10:2¼ wide / I cannot determine / the width of this arch / and I not knowing the thickness / of the old wall A in this / story I cannot determine the width of this arch / but from the / dimensions here given / it will be readily / determined on the spot, A, level of old cellar, (pencil) No 1, No 2 and dimensions given in pen and pencil

Signed and dated

  • 26 April 1798
    April 26 98, (George Bailey) 1798 (verso) Apl 30 1798

Medium and dimensions

Pencil and pen on wove paper (667 x 559)

Hand

SOANE, Sir John (1754--1837), architect
Soane, and some titles added later by George Bailey (1792-1860, pupil and assistant 1806-37, curator 1837-60)
Bailey, George (1792--1860)
Soane, and some titles added later by George Bailey (1792-1860, pupil and assistant 1806-37, curator 1837-60)

Level

Drawing

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).