[32] Design for the chimneypiece for the dining room, 1762, executed with alterations

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Robert and James Adam office drawings
- Country houses
  - Syon House, Brentford, Greater London: designs for the interior and the park for the 1st Duke of Northumberland, 1761-69 (69)
    - Designs for the chimneypiece for the dining room, 1762, executed with alterations (2)

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Reference number

SM Adam volume 22/42

Purpose

[32] Design for the chimneypiece for the dining room, 1762, executed with alterations

Aspect

Detail of plan, elevation and side elevation of a chimneypiece with stiles with volutes to the side and front, a lining ornamented with festoons, a frieze with a central urn flanked by sphinxes, arabesques and birds, military trophies in the capitals, and with a Corinthian aedicular overmantel ornamented withfans in the stylobate, a frieze of anthemia, a pediment with acroteria and an urn in the tympanum, and containing a figurative panel within a frame ornamented with arabesques and festoons. The plan shows a segmental recess for the grate

Scale

bar scale of 1 inch to 1 foot

Inscribed

Chimney Piece for the Dining room at Sion / The P[ _ _ _ ] Relief 4.6 (in pencil)

Signed and dated

1762
1762

Medium and dimensions

Pen, pencil and wash on laid paper (314 x 471)

Hand

Adam office hand, possibly Robert Adam or Agostino Brunias

Literature

Bolton, 1922, Volume II, Index p. 28
Stillman, 1966, p. 65
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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