[108] Preliminary designs for cornices and dados, possibly for the family pavilion, 1760

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for the interior decoration and furniture including the hall, saloon, drawing room, dining room, music room, library, ante room, breakfasting parlour, staircase, state bed room, and principal dressing rooms
      - Preliminary designs for cornices and dados, possibly for the family pavilion, 1760 (1)

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Reference number

SM Adam volume 54/3/66

Purpose

[108] Preliminary designs for cornices and dados, possibly for the family pavilion, 1760

Aspect

Elevation of nine cornice designs and two dado designs, with bands of ornamentation including acanthus leaves, egg and dart, fluting, fret, bead and reel and laurel leaves

Scale

not to scale

Inscribed

9 Inch Cornishes for the Bed Chamber & Dressing Room / of the Attick Story of Sr Naths House / Sr Nathls Bed Room / Bd Room Cornish / Base to do Bed Rooms / Hall Base & / Surbase / 20 feet 3 Inches

Medium and dimensions

Pencil on laid paper (185 x 236)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 19
Harris and Banks, 2003, p. 109
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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