[64] Preliminary design for alternative design for the ceiling for the hall, 1760-61, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for the interior decoration and furniture including the hall, saloon, drawing room, dining room, music room, library, ante room, breakfasting parlour, staircase, state bed room, and principal dressing rooms
      - Preliminary designs and a record drawing for alternative designs for the ceiling for the hall, 1760-61, unexecuted (4)

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Reference number

SM Adam volume 54/1/33

Purpose

[64] Preliminary design for alternative design for the ceiling for the hall, 1760-61, unexecuted

Aspect

Rough plans of two variant rectangular ceilings, one with a central rosette within a oval panel, set against an x-shape arrangement, and with festoons around the edges, and the other being a compartmental ceiling with a central square containing an enclosed rosette encircled by festoons and four roundels, framed by octagonal and elongated octagonal compartments containing rosettes and grisaille

Scale

not to scale

Inscribed

This Sketch it is imagined will answer for the flatt / part of the Cieling of Sr Nathl Cursons Hall of which / the Cove to be done with Pannelling also

Signed and dated

1760-1761
date range: 1760-61

Medium and dimensions

Pen on laid paper (194 x 201)

Hand

Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 19
Hardy, 1978, p. 197
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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