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  • image SM Adam volume 40/40

Reference number

SM Adam volume 40/40


[4] Finished drawing for a greenhouse, 1759, unexecuted


Plan with a three-bay central front - each bay being tripartite and divided by columns, and with a ten step stylobate, with three-bay sides of one window and two blind windows each, and a three-bay rear. The interior space is divided into two rooms. There are pencil-drawn annotations dividing the principal interior space into three, with doors between each room, and with a chimneypiece in the central space denoting domestic use: perhaps a tea room for admiring the plants


bar scale of 2/5 inch to 1 foot


Plan of the Green house for Sr Nathl Curson at Kedleston / now Lord Scarsdale (in the hand of William Adam) / 48 (in pencil in a modern curatorial hand) and some dimensions given (verso) 13 (in pencil)

Signed and dated

  • 1759
    datable to 1759

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (607 x 512)


Adam office hand, possibly Agostino Brunias or Laurent-Benoît Dewez, with additions to the title inscription in an office hand and a number inscribed in pencil in an unknown modern curatorial hand


VDL and fleur-de-lis within crowned cartouche


Bolton, 1922, Volume II, Index p. 19
Harris, 1987, p. 71
King, 2001, Volume II, p. 219
For a full list of literature references see scheme notes.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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