[26] Design for the stables roofs, 28 October 1789

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Lees Court, Kent: (executed) stables, dairy, office court, and alterations to the staircase for Lewis Thomas Watson, 1788-90 (33)
    - Design for the stables roofs, 28 October 1789 (1)

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Reference number

SM 64/3/82

Purpose

[26] Design for the stables roofs, 28 October 1789

Aspect

Longitudinal section and cross section of the roof over the east and west ranges; and larger cross section of the roof over the centre of the north range; (verso) Plan of roof over ride & hunters stable / N. front, plan of / turret, plan of roof of turret

Scale

bar scale of 3/20 inch to 1 foot and bar scale of 3/8 inch to 1 foot

Inscribed

Roof over center building N. side of court, The Hon^bleLewis Thomas Watson, Stables at Lees Court and dimensions given; (verso) as above, The Hon^bleLewis Thomas Watson, stables at Lees Court, court, dormer, front next court, entrance front, entrance front, wall line (twice), line of cornice (twice) and dimensions given

Signed and dated

28 October 1790
(verso) drawn from Chawners Sketches / Oct^r28^th 1790

Medium and dimensions

Pen and coloured washes including light red, yellow, Naples yellow and grey, pencil, on laid paper (556 x 669)

Hand

Attributed to Sanders, John (1768--1826), draughtsman
attributed to John Sanders (pupil 1784-90)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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