[19] Variant design for the stables, 27 January 1790

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Lees Court, Kent: (executed) stables, dairy, office court, and alterations to the staircase for Lewis Thomas Watson, 1788-90 (33)
    - Variant design for the stables, 27 January 1790 (6)

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Reference number

SM 64/3/92

Purpose

[19] Variant design for the stables, 27 January 1790

Aspect

Ground floor plan with running dimensions

Scale

bar scale of 3/20 inch to 1 foot

Inscribed

The Hon^bleLewis Thomas Watson, stables at Lees Court, arched entrance, coachouse for / two carriages (twice), stable court, entrance for / horses &c, hay & straw, coachouse stable, harness room, hay, 4 stall stable, 3 stall stable, entrance, saddle room, 3 stall stable, 4 stall stable, straw, the ride, for warming mashes &c, loose stable, coachouse for / two carriages, hack house stable, bale, doors at east range labelled A, E, B, D, E, corresponding to note A Copper flue to stand / over B / C Flue to stand over D / EE The semi-heads to / be omited to these / doors, dimensions given and calculations in pencil

Signed and dated

27 January 1790
Copy Welbeck Street January 27^th 1790

Medium and dimensions

Pen and grey, pink and yellow washes, pencil, on laid paper with one fold mark (660 x 570)

Hand

Attributed to Sanders, John (1768--1826), draughtsman
attributed to John Sanders (pupil 1784-90)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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