[133] Finished drawing for ceiling for the state dressing room (now the boudoir), 1767, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for the interior decoration and furniture including the hall, saloon, drawing room, dining room, music room, library, ante room, breakfasting parlour, staircase, state bed room, and principal dressing rooms
      - Finished drawings for variant ceilings for the state dressing room (now the boudoir), 1767, unexecuted (2)

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Reference number

SM Adam volume 11/51

Purpose

[133] Finished drawing for ceiling for the state dressing room (now the boudoir), 1767, unexecuted

Aspect

Plan of a ceiling in two parts, one square and the other an elongated oval. The square compartment is ornamented with a central rosette encircled by rosettes, bows, festoons, urns, medallions, a circular band of anthemia, lunette panels alternately containing half flowers and fluting. The oval compartment has a central square containing a rosette encircled by fluting and anthemia, within a diamond of fluting, and framed by lunettes containing half flowers, and festoons, and this square is flanked on either side by a circular panel containing a rosette encircled by enclosed anthemia, calyx, and a garland

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Cieling for the anti room at Kedleston

Signed and dated

October 1767
Oct. 1767

Medium and dimensions

Pen, pencil and wash on laid paper (585 x 443)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 19
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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