[62] Finished drawing for the house, 1760

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Robert and James Adam office drawings
- Country houses
  - Kedleston Hall, Derbyshire: designs for landscape architecture, alterations to the house, and interior design for Sir Nathaniel Curzon, 5th Baronet (created Lord Scarsdale 1761), 1759-72 (149)
    - Designs for alterations to, and completion of, the house
      - Finished drawings for the house, 1760 (2)

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Reference number

SM Adam volume 40/4

Purpose

[62] Finished drawing for the house, 1760

Aspect

Longitudinal section through the marble hall and adjoining drawing room and state dressing room, showing rooms above and below, and the roof spaces, and with the dome above the saloon behind. The marble hall is five bays across, articulated by Corinthian columns with a central aedicular door flanked by sculpture-filled segmental-headed niches, surmounted by figurative relief panels, an anthemia and strigil frieze, and a coved, compartmental ceiling with a central oculus

Scale

bar scale of 3/10 inch to 1 foot

Inscribed

Section of the New Design from East to West for / Sir Nathaniel Curzon at Kedleston / now Lord Scarsdale (in the hand of William Adam)

Signed and dated

1760
datable to 1760

Medium and dimensions

Pen, wash and pink and yellow washes within a single ruled border on laid paper (1261 x 681)

Hand

Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 18
Stillman, 1966, p. 66
Harris, 2001, pp. 37, 58
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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