[22] Working drawing for the Finishings to the Eating Room at Shottisham, 16 June 1789

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Shotesham Park, Norfolk: (executed) house for Robert Fellowes, 1785-1790 (34)
    - Working drawing for the Finishings to the Eating Room at Shottisham, 16 June 1789 (1)

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Reference number

SM 28/6/21

Purpose

[22] Working drawing for the Finishings to the Eating Room at Shottisham, 16 June 1789

Aspect

Plan, laid out wall elevations/sections and details of mouldings

Scale

bar scale of ¼ inch to one foot

Inscribed

as above, Eating Room, Moulding at large / to the Pannels / A, Mouldings at / large to the / Pannels B, Wall line (twice), line of Pannell (twice), bead flush framing, Cornice full size, line of the Ceiling, Circular Bead C shewing the / intersection with the Horizontal Bead D, The Red Teint E shows the Plaistering / above the Wood Framing, A (9 times), B (3 times), C (once) D (3 times), E (5 times), Robert Fellowes Esq^re , a few dimensions given and (Soane, partly illegible) Inch ½ fra[min]^gdoor ----- in side Pannel / & one Pannel ------ (verso) Inside finishings

Signed and dated

16 June 1789
Welbeck Street 16 June 1789

Medium and dimensions

Pen and some sepia wash, some pricking through for transfer, on laid paper with three fold marks (500 x 628)

Hand

Sanders, John (1768--1826), draughtsman
John Sanders (pupil 1 September 1784-90)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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