[16] Design for the large parlour (later the dining room), as executed, 1761

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Robert and James Adam office drawings
- Country houses
  - Shardeloes, Buckinghamshire: designs for exterior alterations, interior decoration, domestic offices, a gateway, and a banqueting house for William Drake, 1759-63 (43)
    - Design for the large parlour (later the dining room), as executed, 1761 (1)

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Reference number

SM Adam volume 31/105

Purpose

[16] Design for the large parlour (later the dining room), as executed, 1761

Aspect

Plan and laid out wall elevations for a rectangular room with a three-bay window wall, and opposite is the chimney wall, with doors flanking the chimneypiece, and an urn-filled semicircular-headed niche in a side wall

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

For Willm Drake Esqr / Buckinghamshire (in the hand of William Adam) / Large Parlour / for Wm Drake Esqr / Buckingham Shire (in pencil) / 4 and some dimensions given (verso) Wm Drake Esq Buckinghamshire

Signed and dated

1761
datable to 1761

Medium and dimensions

Pen and pencil on laid paper (650 x 582)

Hand

Adam office hand, possibly Agostino Brunias, with title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index 28
Stillman, 1966, p. 62
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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