[11] Working drawing for the stables, 3 July 1824

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Pell Wall Hall, Market Drayton, Staffordshire (previously Shropshire): (executed) house, stables and garden for Purney Sillitoe, 1822-1828 (58)
    - Working drawings for the stables, July 1824 (2)

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Reference number

SM 35/6/13

Purpose

[11] Working drawing for the stables, 3 July 1824

Aspect

Copy of plans for the storey posts; (verso) Plan & Elevation of Coach houses and detail of storey post

Scale

full size

Inscribed

as above, A. Story post in the centre of coach-house with Wall, B. Side story posts to Coach-house with wall & double / coach-house, (Copy) No 5, lettered A and B, Purney Sillitoe Esq^re, Stone (four times), Line of Stone (twice), Line of Wall (twice), This dotted line shews the shape of centre story post to double coach-house, Door Style (three times), Line of Wall; (verso) Purney Sillitoe, Esq^re Pelwall House, 17"0" (sic, see Notes below), 1"6 (twice), 3"6 (twice), 7"6, (pencil) 7

Signed and dated

3 July 1824
(3^rdJuly 1824)

Medium and dimensions

Pen and yellow, pink, and burnt umber washes on wove paper (520 x 650)

Hand

Charles James Richardson (1806 - 1871), draughtsman
C. J. Richardson (1809-1872, pupil 1824-1837)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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