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  • image SM volume 75/57

Reference number

SM volume 75/57

Purpose

[100] Working drawing for the passage leading from Lothbury Court to the Bullion Court, dated December 1800

Aspect

Elevation showing the entrance into the Bullion Court; and Section of the inside of the passage leading to the Bullion Court

Scale

bar scale

Inscribed

The Bank of England, Elevation of Front in the Bullion Court (North Side), Settled upon by Mr Soane 31st Dec 1800 / (Soane) March 5: 1801, A Coppy Delivered G White / 1st Jan 1801, Section through Gateway, and elevation labelled (some in Soane hand): Recess to correspond / with the / Gateway, flush, Blank / window (twice), to be / ommitd [omitted] (sic), level of Pavement, filled up / in / finish, ommitted, 1 2¼ deep and dimensions given

Signed and dated

  • as above and Bank 28th Dec 1800

Hand

Soane office and Soane

Notes

This is a working drawing for the construction of the passage and the north side of the Bullion Court. Soane's rough sketches are on the drawing, as well as his inscriptions indicating some dimensions and with an instruction ordering that the wall's recess should correspond with the gateway. The offices behind the wall were also constructed around this time, as part of the north-east extension.

Soane had pulled down the old buildings in January 1800 and begun construction. This drawing appears to be a working drawing for the exterior wall of the offices, indicating that they had already been constructed by December 1800.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).