[8] Design for the Discount Office with, at each end, a segmental clerestory window and an aisle screened by piers supporting a segmental arch and faced with pilasters, 16 November 1805

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - Discount Office and Long Passage, 1805-1806 (31)

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Reference number

SM volume 75/75

Purpose

[8] Design for the Discount Office with, at each end, a segmental clerestory window and an aisle screened by piers supporting a segmental arch and faced with pilasters, 16 November 1805

Aspect

Interior perspective looking west; and a rough (pencil) elevation of a skylight

Inscribed

The Bank, A view of the intended Discount Office

Signed and dated

Lincolns Inn Fields / Nov^r16 1805

Hand

Soane office

Notes

This drawing and SM volume 60/33 show segmental clerestory windows on both sides of the room. As in SM volume 75/73 and SM volume 75/74, the ceiling and the pilasters organise the centre of the room into three parts. Incised line ornament frames the semicircular-headed arches (those on the west side are blind).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).