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The drawing gives a perspective of the side-aisle construction at a later stage, nearing completion. Not only has the main central set of piers been completed but the springing points for the vault are shown in place and the inner arch has also been constructed (with the wooden centering still in place, which would be knocked out when the whole structure was complete). On the left side of the drawing a windlass is shown being operated by two figures. A windlass was a machine used for lifting heavy weights. It was typically comprised of a cylindrical barrel with a winch attached, rotated by the turn of a crank. In the foreground, there is a voussoir (one of a series of radiating wedge-shaped stones or bricks used to form an arch).
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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).