[2] Variant design for the Princes Street screen wall with a domed entrance, June 1803

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - Screen walls on Princes and Lothbury Streets, 1803-1807 (21)

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Reference number

SM volume 73/117

Purpose

[2] Variant design for the Princes Street screen wall with a domed entrance, June 1803

Aspect

Elevation; (verso) plan of the Doric Vestibule; rough (pencil) section of the recess in the Doric Vestibule; and rough (pencil) part-plan

Scale

bar scale

Inscribed

(pencil) calculations and from top to bottom; (verso) dimensions given

Signed and dated

June 2^d 1803; (verso) April 12^th 1803

Hand

Soane office

Watermark

Hayes & Wise 1799

Notes

This drawing and SM volume 72/7 show part of the screen wall on Princes Street. Both drawings show a domed roof over the Doric Vestibule (Princes Street vestibule) but the drawings show variant designs. The wall has banded rustication and is raised on a socle, with antefixes at the roofline. Paired columns in antis are at one end and surmounted by a blocking course. In the drawing, lion sculptures have been added in pencil and the blocking course has been altered. Over the door is a sculpted panel showing Britannia.

See verso of SM volume 72/49 for a similar drawing, possibly a copy of this drawing.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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