[72] Design for a tripod, 1778, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Home House, Portman Square, number 17 (now 20), London, for the Countess of Home, 1775-78 (73)
      - Preliminary designs and design for a pedestal, urns and tripods, c1777-1778, possibly executed (3)

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Reference number

SM Adam volume 17/63

Purpose

[72] Design for a tripod, 1778, possibly executed

Aspect

Elevation of a tripod with a base ornamented with a band of enclosed anthemia, three winged griffins and a band of fluting. The tripod has paw feet and is ornamented with arabesques and an urn surmounted by a tubular flower and a draped figure. Above this there is a rosette, lion masks and festoons of husks. This is all surmounted by a band of foil and thyrsi

Scale

to a scale

Inscribed

Design of a Tripod for Lady Home

Signed and dated

1778
1778

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow on laid paper (166 x 439)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Literature

Bolton, 1922, Volume II, Index p. 48
Hussey and Oswald, 1934, p. 26
Harris, 1963, p. 57
Whinney, 1969, p. 68
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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