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  • image SM, volume 110/21

Reference number

SM, volume 110/21

Purpose

[3] Revised design for a bridge link and portal connecting the Queen's Closet with the Privy Garden

Aspect

Elevation, with wall of Privy Garden range shown in perspective on left

Scale

4 feet to 1 inch

Inscribed

In ink by Hawksmoor, bottom centre right, The Privy Garden, and by Dance top left, Gd, and to right in C19 hand, (21)

Signed and dated

  • Undated, but datable September 1694

Medium and dimensions

Pen and brown ink over graphite under-drawing, with pink and grey washes and some shading in ruled graphite lines; on laid paper, laid down; staining across 120 mm on right side of sheet with tears in central portion; 322 x 435

Hand

Hawksmoor

Watermark

Strasbourg Lily (?). Very faint

Notes

This elevation corresponds to 3, above (110/20). The steps down from the bridge were revised on the drawing to conform with the arrangement on that drawing, beginning with three steps at right angles to the bridge at the top and continuing in 13 steps to the level of the embankment walk. The line of the embankment walk conforms with that shown on plan on 110/20. This walk is about 5 feet 6 inches above ground level.

Literature

Wren Society, IV, pl. 22, bottom

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).