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  • image SM volume 75/42

Reference number

SM volume 75/42

Purpose

[18] Working drawing for the north interior elevation, July 1803

Aspect

Longitudinal section looking north

Scale

bar scale

Inscribed

The Bank of England, Section through the Accountants Office, one of the small Courts / next Princes Street, shewing the front Wall of enclosure &c &c, (sheet trimmed) Porter's / [Lo]dge, [one pai]r fl[oor]:, Por, [Chamb]er Flo[or]:, Porter, 4:1½ / Passage, Recess for Chief / Clerk, Plaister / Stone, Qy Semi, B (twice), B.B., Front Section / of / Bond stones / placed over / the stone arch[itrave]: / (thru the center / of each window) / with a strong / cramp of iron / to prevent the / stone arch: / from sinking / in the middle

Signed and dated

  • Lincolns Inn Fields / July 19 1803

Hand

Soane office and Soane

Watermark

I Taylor 1801

Notes

This drawing, SM volume 72/59 and SM volume 75/42 show the north and south walls of the Accountants Office. The design features five tall semicircular-headed windows on the north-facing wall and two levels of windows on the south-facing wall.

This drawing and SM volume 72/59 are working drawings showing the same design. The west end has been cancelled in the drawing, possibly suggesting it as a design for the opposite elevation. The notes on both drawings describe a method for reinforcing the long stone architrave. Above the architrave, aligned with the centre of each window, Soane suggests placing a bond stone. The stone would be fixed to the architrave with iron clamps.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).