[8] Preliminary design for a proposed addition to the house, c1761-65, unexecuted

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Robert and James Adam office drawings
- Country houses
  - Brodsworth Hall, South Yorkshire: unexecuted alternative designs for rebuilding, and enlarging the house for Archbishop Robert Hay-Drummond, c1761-65 (8)
    - Preliminary designs for a proposed addition to the house, c1761-65, unexecuted (3)

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Reference number

SM Adam volume 41/29

Purpose

[8] Preliminary design for a proposed addition to the house, c1761-65, unexecuted

Aspect

Elevation of the south front of a two-storey, nine-bay wing, with a hipped roof, and a bow across the central three bays, encircled by an Ionic bow peristyle, and surmounted by an octagonal lantern

Scale

bar scale of 1/10 inch to 1 foot

Inscribed

Elevation of the South of a New proposed Addition to His Grace The / Arch Bishop of York's House, at Brodsworth in Yorkshire and some dimensions given (in pen and pencil)

Signed and dated

c1761-1765
datable to c1761-65

Medium and dimensions

Pen and pencil on laid paper (350 x 253)

Hand

Adam office hand

Literature

Bolton, 1922, Volume II, Index p. 5
King, 2001, Volume II, p. 123
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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