[14] Finished drawing for the music room, c1765-66, executed with minor alterations

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Robert and James Adam office drawings
- Country houses
  - Harewood House, Yorkshire: designs for alterations to the church and house; for the interior decoration; and for a greenhouse and gateway for Edwin Lascelles, 1759-1782 (121)
    - Designs for the interior decoration of the house, including the hall, music room, saloon, dining room, gallery, library, bed rooms, dressing rooms, great staircase and portico soffit, 1765-1778 (107)
      - Finished drawing for the music room, c1765-66, executed with minor alterations (1)

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Reference number

SM Adam volume 14/118

Purpose

[14] Finished drawing for the music room, c1765-66, executed with minor alterations

Aspect

Laid out wall elevations for a rectangular room with three windows, surmounted by curtain cornices, and two rectangular pier glasses on the north wall, and with a chimneypiece on the south wall opposite, with a rectangular figurative overmantel, and flanked by large rectangular capricci, and in each of the east and west walls is a door, surmounted by an overdoor square grotesque panel, a large central rectangular capriccio, and another rectangular grotesque panel, and the room has a frieze of alternating urns and enclosed rosettes, connected by festoons

Scale

bar scale of 1/4 inch to 1 foot

Inscribed

Design for finishing the Musick Room at Gawthorpe House in Yorkshire. The Seat of Edwin Lascelles Esquire and some dimensions given

Signed and dated

1765-66
datable to 1765-66

Medium and dimensions

Pen and coloured washes on laid paper (529 x 586)

Hand

Adam office hand, possibly George Richardson, but it appears that the painted panels are in the hand of another draughtsman unknown, possibly Antonio Zucchi

Literature

Bolton, 1922, Volume II, Index p. 16
Stillman, 1966, pp. 70 and 80
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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