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  • image SM volume 63/122

Reference number

SM volume 63/122

Purpose

[32] Working drawing for the first phase of the north-west extension

Aspect

Ground floor plan

Scale

to a scale

Hand

Soane office

Notes

This drawing, SM volume 73/16, SM volume 73/18 and SM volume 73/20 closely resemble the executed design in all areas except for the Waiting Room Court. In all four drawings the Court is shown with a colonnade while the south-west corner is rounded and includes a window. Sited between the old and new buildings, the Court's design had to reconcile the axis of the existing buildings with the juxtaposing aligment of the new wing (which are all squared with the new loggia).

A closet beside the Princes Street entrance contained a windlass for shutting the door. A windlass is a simple pully system for hoisting heavy objects. A rope is coiled around a cylinder mounted on a wooden frame, with a crank at one end for the winding and unwinding of the rope. The windlass usually occured on construction sites as an important machine for raising masonry and building materials (see SM 69/12) but it was also used, as shown in SM volume 73/16, for sliding an iron door into place over the Princes Street entrance.

Literature

C. Woodward, Buildings in progress: Soane's views of construction, an exhibition catalogue for the Sir John Soane's Museum, 1995, p.10 (windlass) ? is this right ? and not one of the drawings catalogued here is reproduced on p.10 ?

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.


Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).