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- Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- 1770
Soane became a student at the Royal Academy Schools on 25 October 1771; this measured drawing of Old Somerset House is dated 1770 and may have been part of his portfolio for admittance. It was also the subject chosen for the Royal Academy's Silver Medal competition of that year and Soane, who must have had prior knowledge, submitted it within a few days of enrolment. However, he missed by one day the submission date of 1 November and was therefore ineligible. The choice of Old Somerset House was apt for it had been the home of the Royal Academy from 1771 and continued there, in the Strand Block of the new Somerset House, from 1780 until 1837 when it joined the newly founded National Gallery in Trafalgar Square, and finally moved in 1869 to Burlington House, Piccadilly.
Old Somerset House was begun in 1547-52. The river front with its arcaded Queen's Gallery was added in 1662-3 and though once thought to have been designed by Inigo Jones (died 1652), it is now attributed to John Webb.
Soane exhibited at the Royal Academy 1773, No. 281, 'Front, next the Thames, of the Royal Academy, from actual measurement'
Pencil inscriptions on the verso indicate that this drawing was used by Soane for Lecture V (drawing 72) for his Royal Academy lecture series and also for his lectures to the Royal Institution, 1817 and 1820.
See also (in Sketchbooks catalogue) a sketchbook labelled 'Miscellaneous Sketches, 1780-2 (SM volume 40) ff. 3r-4r for rough plans, sections and details of Old Somerset House drawn by Soane in December 1780 shortly before its demolition.
Jill Lever, February 2006
P. du Prey, John Soane: the making of an architect, 1982, pp.56-8
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).