[10] Survey showing a curved Princes Street, November 1802

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Bank of England
  - Bank of England, City of London for the Governor and Company of the Bank of England, 1788-1834 (1356)
    - 1799-1810 Expansions north-west and rebuilding of existing offices (487)
      - Acquiring property for the north-west extension, 1800-1803 (23)

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Reference number

SM 9/3/23

Purpose

[10] Survey showing a curved Princes Street, November 1802

Aspect

Site plan and elevations as in SM 9/3/6, but elevation of proposed Lothbury Street front showing blind Tivoli windows and a central pavilion with a tall attic surmounted by a statue of Britannia

Scale

bar scale

Inscribed

The Plan of the Bank of England in the Year 1800 shewing likewise the Houses to be purchased for the enlargement therof, Proposed continuation of Princes Street, Princes Street, The Garden of the Grocers Company, Upper Beadles House / of the Grocers Company, and streets labelled much as in drawing 3, with The Cock Tavern, The Sun Fire Office, The Bank Coffee House, M^r Hancock

Hand

Soane office

Notes

This drawing and SM 9/3/22 show alternative designs for the central projection in the proposed Lothbury Street front. On 25 November 1802 Soane presented three alternative designs for the Lothbury Street screen wall. The 'second' one was chosen, according to the Building Committee minutes, probably referring to SM 9/3/22. As shown in later designs (see the Screen walls on Princes and Lothbury Streets scheme), the intended central pavilion was not included in the built design.

The Directors on the Committee for Building in 1802 were Samuel Bosanquet, Edward Darell, Richard Neave, George Peters, G. Thornton, Samuel Thornton, Mark Weyland. Daniel Giles and Thomas Raikes served as Governor or Deputy Governor.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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