[50] Alternative preliminary design for a pier glass frame for the eating room, 1770, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Coventry House, 29 (now 106) Piccadilly, London: designs for unexecuted alterations to the house, and for executed interior decoration, for the 6th Earl of Coventry, 1764-70 (57)
      - Alternative preliminary designs and finished drawing for a pier glass frame for the eating room, 1768 and 1770, drawing 50 as executed (3)

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Reference number

SM Adam volume 20/68

Purpose

[50] Alternative preliminary design for a pier glass frame for the eating room, 1770, as executed

Aspect

Elevation of an oval mirror frame, with an apron of rinceau, and a central shell, and surmounted by half figures, rinceau, an urn surmounted by an anthemion, and hung from a lion mask enclosed within a fan

Scale

bar scale of 1 3/4 inches to 1 foot

Inscribed

Glass frame for Lord Coventry / from top of Pa[cropped] / to Cornice

Signed and dated

1770
1770

Medium and dimensions

Pen and pencil on laid paper (289 x 439)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
Murdoch, 1992, p. 47
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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