[17] Finished drawing for a table frame for the great room, 1767, as executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Coventry House, 29 (now 106) Piccadilly, London: designs for unexecuted alterations to the house, and for executed interior decoration, for the 6th Earl of Coventry, 1764-70 (57)
      - Finished drawing for a table frame for the great room, 1767, as executed (1)

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Reference number

SM Adam volume 17/10

Purpose

[17] Finished drawing for a table frame for the great room, 1767, as executed

Aspect

Elevation with four fluted legs surmounted by panels of vertebrate banding and rosettes. The table rail is ornamented with a band of moulding and swags hanging from the rail. The table is further ornamented by three vases on top of the stretcher

Scale

bar scale of 2 inches to 1 foot

Inscribed

Design of a Table frame for The Earl of Coventry

Signed and dated

August 1767
August 1767

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow and sepia on laid paper (291 x 405)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, pp. 57, 67
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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