[5] Sketch design for alternative chimney-pieces, left and right, with octagonal and rectangular mid-height panels bordered by foliage, and with a high mantel shelf bearing a royal coat of arms amongst putti, foliage, wings and trumpets.

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English Baroque Drawings: architecture, sculpture and garden design
- Hampton Court Palace
  - Designs for chimney-pieces, room cornices and entablatures, door cases and internal wall elevations, c.1689-1694, mostly by Grinling Gibbons
    - Five sketch designs, with alternatives, for plainer chimney-pieces, related to designs in 1, 4, and 5

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Reference number

SM, volume 110/46

Purpose

[5] Sketch design for alternative chimney-pieces, left and right, with octagonal and rectangular mid-height panels bordered by foliage, and with a high mantel shelf bearing a royal coat of arms amongst putti, foliage, wings and trumpets.

Aspect

Elevation, with alternatives left and right of centre line

Scale

Not indicated, but about ^7/₈in. to 1 foot (compare 110/51)

Inscribed

In ink by George Dance at bottom right, Gd, and to right in C19 hand, (45)

Signed and dated

Undated, but probably 1689-94

Medium and dimensions

Pen and brown ink over graphite under-drawing with grey-green wash; on smooth white laid paper; pinkish-brown staining in top 20 mm of sheet; 372 x 241

Hand

Gibbons

Watermark

Countermark: CDG

Notes

Like the others in this group, the drawing does not include a room cornice profile and is schematic in its decorative detail. In composition it is very similar to 110/42 (4, above). The high mantel shelf, the shield, helmet, and horns and bay leaves are derived from 110/48 (1, above).

Literature

Wren Society, IV, pl. 34, bottom

Level

Drawing

Exhibition history

Grinling Gibbons and the Art of Carving, Victoria and Albert Museum, London, 22 October 1998 - 24 February 1999

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).