[40] Design for a ceiling for the ante room, 1766, executed with alterations

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Robert and James Adam office drawings
- Town houses
  - London
    - Coventry House, 29 (now 106) Piccadilly, London: designs for unexecuted alterations to the house, and for executed interior decoration, for the 6th Earl of Coventry, 1764-70 (57)
      - Design for a ceiling for the ante room, 1766, executed with alterations (1)

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Reference number

SM Adam volume 11/42

Purpose

[40] Design for a ceiling for the ante room, 1766, executed with alterations

Aspect

Plan of a square ceiling centred on a rosette encircled by a fan with a foliate diamond pattern, encircled by swags. In the four corners the swags connect to lions masks with circular panels containing rosettes encircled by fans in their mouths

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Design of a Cieling for the Anti Room at The Earl of Coventry's house in Piccadilly

Signed and dated

1766
1766

Medium and dimensions

Pen and wash on laid paper (344 x 386)

Hand

Adam office hand, possibly Robert Nasmith or William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 44
King, 2001, Volume I, p. 309
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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