[17] Finished drawing for a sofa for the drawing room, 20 January 1773

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Robert and James Adam office drawings
- Town houses
  - London
    - Bolton House, Southampton Row, London: designs for interior decoration for the 6th Duke of Bolton, June 1770 - August 1777, demolished 1913 (30)
      - Finished drawing for a sofa for the drawing room, 20 January 1773 (1)

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Reference number

SM Adam volume 17/80

Purpose

[17] Finished drawing for a sofa for the drawing room, 20 January 1773

Aspect

Elevation with round, fluted, tapered legs, ball feet, a fluted seat rail with festoons and a sea-horse medallion, and a scrolled top rail ornamented with reed and ribbon, and a central pendant

Scale

bar scale of 1 7/10 inches to 1 foot

Inscribed

Sopha for His Grace The Duke of Bolton

Signed and dated

January 1773
Adelphi / Janry 20t 1773

Medium and dimensions

Pen and coloured washes including Indian yellow and pink on laid paper (291 x 430)

Hand

Adam office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 48
Harris, 1963, p. 94
Harris, 1995, p. 73
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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