[57] Finished drawing for the boudoir, 1780-81, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Finished drawing for the boudoir, 1780-81, unexecuted (1)

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Reference number

SM Adam volume 49/25

Purpose

[57] Finished drawing for the boudoir, 1780-81, unexecuted

Aspect

Section of two curving walls for a circular room, with four apses containing mirrors ornamented with terms, sofas, and lozenge-shaped coffering in the semi-domes. One wall has a central window surmounted by a curtain cornice, and flanked by doors surmounted by lions and unicorns. The opposite wall is identical save for an additional door instead of a window, above which is a large rectangular figurative panel. The whole has a frieze of enclosed anthemia

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Boudoir in Cumberland House Pallmall

Signed and dated

1780-1785
date range: 1780-1785

Medium and dimensions

Pen, wash and coloured washes including verdigris and Indian yellow on laid paper (470 x 605)

Hand

Adam office hand, possibly Robert Morison, with title inscriptions in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 44
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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