[36] Preliminary design for the ceilng for the eating room, 3 August 1780, unexecuted

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Robert and James Adam office drawings
- Town houses
  - London
    - Cumberland House, 86 Pall Mall, London: designs for the interior, and additions to the house for the Duke of Cumberland, August 1780 - January 1788 (69)
      - Designs for the interior decoration, including the great dining room, music room, eating room, drawing rooms and boudoir (59)
        Preliminary design for the ceiling of eating room, 3 August 1780, unexecuted (1)

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Reference number

SM Adam volume 14/75

Purpose

[36] Preliminary design for the ceilng for the eating room, 3 August 1780, unexecuted

Aspect

Plan of a rectangular ceiling, divided into nine octagonal compartments. The central compartment contains an oval medallion, encircled by a fan. In the side compartments are rectangular panels containing royal and military iconography, and in the corner compartments are enclosed rosettes

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

Eating room Cumberland House / (and in pencil) / Cieling of Eating room Cumberland House / L Green / Light Green / Dark Yellow / Light Green / Light Green

Signed and dated

August 1780
3d August 1780

Medium and dimensions

Pen and pencil on laid paper (415 x 602)

Hand

Adam office hands, possibly Robert Morison or Robert Adam, with title inscription by Robert Adam

Literature

Bolton, 1922, Volume II, Index p. 44
For a full list of literature see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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