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  • image SM Adam volume 25/18

Reference number

SM Adam volume 25/18


[31] Finished drawing for an organ case for the music room, May 1781


Plan as Adam volume 25/19, but without pencil annotations


bar scale of 7/8 inch to 1 foot


Design for an Organ Case for His Royal Highness The Duke of Cumberland

Signed and dated

  • May 1781
    Adelphi / 2d May 1781

Medium and dimensions

Pen and coloured washes including terre verte and yellow ochre on laid paper (400 x 611)


Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of Robert Adam


Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
Stillman, 1966, p. 87
Beard, 1978, p. 66
King, 2001, Volume II, pp. 273, 275
For a full list of literature references see scheme notes.



Exhibition history

Original Drawings of Robert and James Adam, Kenwood House, London, 1953

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).