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  • image SM Adam volume 49/28

Reference number

SM Adam volume 49/28


[26] Full size working drawing for a console table for the music room, 1780-81


Full size detail of a plan of a table top, with a central fan enclosing roses and thistles, and a border of alternating cable knots, and medallions containing Tudor roses


full size


Top of Table for the Music room at Cumberland House and feint pencil annotations, presumably denoting colour (verso) Number 7 / Table for the Duke of Cumberland

Signed and dated

  • December 1780
    Adelphi / 15t Decr 1780

Medium and dimensions

Pen, pencil, wash and coloured washes including olive green and violet on laid paper (445 x 821)


Adam office hand, possibly Joseph Bonomi, with title inscription in the hand of Robert Adam


Bolton, 1922, Volume II, Index p. 44
Harris, 1963, Index p. 57
For a full list of literature references see scheme notes.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).